Wednesday, January 6, 2021
Sunday, May 29, 2016
Thirty Minutes to Paint
Quick draw events are fun, frightening, sometimes furiously fast and often rewarding! Many are an hour or two in length which is not a lot of time to execute a painting but easier compared to the 30 minute events. In a 30 minute event there is no time to ponder. You need to have pondered and made choices in the preparation stage! You need a limited palette and a distinct plan of action when the horn blows to begin your work.
So goes the story of the popular quick draw at the Miles City Bucking Horse Sale sponsored by the WaterWorks Art Museum held every May as part of the world famous Bucking Horse Sale that brings thousands of spectators to the town of Miles City. Only a few (25 or less) artists participate in the Riverside Park QD at the culmination of the annual parade. The QD is sandwiched in between the parade and the Grand Entry of the sale and horse races and once the 30 minute draw is complete, the artists have 10 minutes to get their piece framed and the live auction of art begins. It’s fast and furious and the crowd is filled with art collectors and spectators. The QD is strategically timed to be certain those spectators can get to all the BHS activities and maximize the crowd attendance for the auction that is a benefit to the WaterWorks Museum and Art Center.
This year I lived on the dangerous side…I decided to paint a larger than normal piece, 26×12 vertical pastel. (Most works are less than 16 inches square.) I prepped my paper by gluing it to a foam core board for stability, then selected a very limited palette of pastel sticks. I planned a painting of buffalo from a photo I shot on my way to MT via Yellowstone Park. The day before the event, the preparatory chores were done. (I could have saved a little stress by doing this 3-4 days earlier!). I did numerous pencil sketches arranging my composition, as the photo was a horizontal format and I was painting it as a vertical. In my sketchbook I made lines of quadrants and adjusted the subject to best fit the format of the proposed painting. I “roughed-in” focal points and large shapes to make what I believed to be a good composition. I put all my supplies – selected pastels, 91% alcohol, sponge brush, Workable fixative, wet wipes, paper towels, gloves and framing equipment in my backpack. I had a plan and felt I could make it happen, but knew I would have no time to spare. Before the event started I found a place to paint…in the park’s gazebo where there was some protection from some gusty winds (not helpful when painting is a tall piece!) and a place to sit if one wanted to before and during the event. And I was able to tone my painting with one color – a mix of dry pigment and alcohol before the QD began. Doing an underpainting like this assists one in pastel application by speeding up the process.
The QD begins with the sound of an air horn…now it’s time for autopilot. Your colors are laid out and you instinctively apply them, not second guessing your choice. Large masses are painted carefully noting that the values are where you want them. When someone says “you have 15 minutes left, you want to be at least half way thru your painting.) I am, but there is no option to make changes. I stick to my plan. Once the landscape is satisfactory to my eye, I draw in and paint the buffalo. As I put the final touches in the most distant animal, the horn blows signifying the end of the QD. Hands go up (no more pastel to the paper), I am satisfied, pleased to have finished what I had planned and the framing begins. I had hoped to get my piece in the auction so it would be auctioned somewhere in the middle, but I needed all the time allotted to get the framing accomplished, so the painting was in the last spot on the auction docket. Not my favorite spot to be, but as it turned out the auction was a surprise. One know there is not always a predictable outcome to auctions and this one was not an exception. Early pieces were sold from $200-500. Then one sold for about $800 and another for $1700. I saw a couple of pieces of work of popular artists sell for less than I have seen before. Now I begin to have some anxiety. It’s now the time for my piece to go. I hold the painting up and the auction starts. Bids start immediately and I hand the work to one of the guys on the platform to show. Bids continue to be raised and my anxiety lessens. The auctioneer worked his way to $1500 +. I am relieved and happy to have completed a sought after piece of art and for sharing the sale with the museum.
So, when the opportunity arises to compete in a quick draw, do it. The key is preparation and planning. Then execute the painting in a confident manner, not second guessing palette and composition. If you are an art collector and someone who appreciates the arts and the process…know what happens for these works to come to be!
Tuesday, April 19, 2016
Tuesday, July 14, 2015
Sunday, July 5, 2015
Pastel Dust
Do you wonder what drives an artist? What's the motivation to keep painting? For me it is about the color and the diversity of the landscape and wanting to share those images you see with others. And why paint en plein air? I think it is painting "true." Nothing is in your way of what you see. There is no excuse to what you put on that board or paper. It is right in front of you...it's your interpretation!
I had the opportunity to be part of a plein air event in Walla Walla a week ago. It was a 5 day paint out organized by a tiny 90-year-old watercolorist, Margaret Walters. About 20 artists came together for the event, painting it partly or in total. I think this was the third year of the event and there were several painters who had been on all tours. The event ended with an art sale that benefited the Carnegie Picture Lab. It was certainly a stress-free, enjoyable schedule and people to paint with. Each day a new venue...one favorite was going to this beautiful farm/vineyard at the base of Cottonwood Canyon. It is a favorite of mine and to be able to drive up through the farm to a high point and paint it from a different vantage point was great. Another day of endless opportunity was painting at the Robison Ranch north of town. I found a secluded spot where I painted two pieces. The only thing that drove me out of the field was the heat creeping up to 104! These two venues, for me was what painting plein air is all about....you could stand in one spot and paint in any direction...the dilemma is...what do you paint!
A note about the Picture Lab...it is an art education program for area students. It is a nonprofit that depends on funds from outside sources. Commissions on sales of the plein air paintings benefited the Picture Lab. Happily 4 of my 6 paintings sold for this great cause.
What's on the schedule...
July 11th I will be painting in the Art of the Beartooths, the fund raiser and painting event and sale to support the Carbon county Art Guild in Red Lodge, MT. We will be painting a quick finish during the day that will be auctioned that evening.
Pendleton Art and Frame, Pendleton, OR is showing the bronzes of Rip Caswell and my plein air landscapes July 9- September 1. The opening reception is Thursday the 9th, 5-7:30
Off to the beautiful area around Hood river, OR for the Columbia Gorge Invitational Plein Air event. About 30 artists have been invited to paint August 3-7 in the area with a reception Friday the 7th, 6-8 pm.
I feel very blessed to be able to "work" at my art and take part in these events. So with that said, go out there and take a shot of drawing or painting "en plein air!!"
Tuesday, January 20, 2015
Pastel dust...
The new year brings on renewed energy and promises of commitments and resolutions. I am determined to get a painting a day done at least for January. I do believe daily paintings makes one work stronger...solutions to problems happen and stronger paintings result. I like to challenge artists to do the 100 daily paintings. Pick a simple composition and paint it daily..a hundred different ways...look back over my old posts and see how it evolves. You will be surprised.
A handy tool for us that utilize iPads and such are the art apps. Some are amazing and great fun creating art digitally!
So happy new year and paint on!
A handy tool for us that utilize iPads and such are the art apps. Some are amazing and great fun creating art digitally!
So happy new year and paint on!
Saturday, July 14, 2012
Tuesday, December 28, 2010
Pastel Dust is moving...
Now, I am also closing this blog site and entering my blogs on the bonniegriffith.wordpress.com site. I have transferred all the old blogs from this one, but what I don't seem to be able to do is to transfer "followers" to the new site. Please take a moment to sign into the new site to follow the journeys painting through the 50 off the 90 series and more. I have some plans for painting in a couple of different areas this year and I am sure there will be some tales of interesting bits along the way! This landscape artist is always looking for something of interest- whether it is in the back yard, by the river, in the mountains, etc.
We traveled the 82 to the 90 to the 5 over Christmas to visit family and friends in the Seattle area and what we saw was something akin to the painting above, as well as sunshine on the west side of the pass in the Cascades to rain to fog and more sunshine. Mid mornings the clouds lifted and the sun shined on Rainier for one of those spectacular views. Driving through the Tricities and onward to Yakima was a little tense as the temperature dropped to about 27 and the rains came down. A few cars were in the ditches, but as we got further west, the temperatures increased and the rains stopped. Sometimes driving you see things that are just bizarre. We witnessed such with the adventures of a little BMW of vintage age with a less than well kept convertible top and its lone driver drive sort of oddly through the hills and valleys from Yakima to Ellensburg. He was zooming around semis and cars and then slowing up, passing again, etc. Now, as you crest the last big ridges and look over the valley where Ellensburg lies, it is a beautiful site any time of year. Snow covered on the 22nd of December, roads are clear except for some snow along the edges. As you come down the long hill into the valley, the semis are gearing down for the distance and at the bottom is where you get to make the decision to get on to I-90 east or west. 82 ends there. So this little car and his driver have now sped past everyone and we are watching as he opts for the I-90 east exit. WRONG! He really wanted west! He slams on his brakes, skids around and is just about to make it back onto the lane that takes him to I-90 West when he skids into one of the interstate sign poles. It seemed like all is good until the sign starts to sway and then falls over on the car and then bounces onto the ground creating a cloud of snow as it hits. The driver seemed unscathed however, sitting in his seat, both hands on the wheel with that look of bewilderment on his face. It was probably one of those things you had to see for yourself, but it was quite the site to see this sign give way and attack!
So it is back to getting some painting done. First thing is finish the poster for the Snow White production and work on some backdrop designs...so remember to go to the new blog site and follow from there. If you have difficulties...contact me: bzgriff@charter.net . In meantime...happy painting and HAPPY NEW YEAR!!!
Monday, November 22, 2010
Pastel Dust
Another gallery that I love to go to and have exhibited at is the Pendleton Center for the Arts. Overlooking downtown Pendleton, OR from it's spot next to the Umatilla River, this gallery welcomes you the minute you walk in the doors. The beautiful light filled gallery with bamboo floors and white walls show work so well. A few years ago I did a show there called "A Hundred Mile Radius". It was a show of 23 landscapes, all images of the lands within 100 miles of Pendleton. This gallery has a wonderful shop of artisan items for sale as well as a performing arts area and great workshop space and more. This art center was once a Carnegie Library and was renovated into a first class gallery.
I am prepping for our 3rd annual Open Studio Art Sale. This year I am moving it to the first weekend of December to coincide with the Winter Barrel Tasting event for the wineries in Walla Walla. We will move furniture around and out to accommodate easy access to the wall space on the main level of our house, hang lots of art, salon style, brew some good coffee and have some treats available and enjoy the two days visiting with friends and art lovers who happen to come by. I am encouraging visitors to bring something for the Food Bank as well - something nonperishable to donate to the bank in the spirit of the annual Care and Share Food Drive the Walla Walla Association of Realtors does each year. Each person that brings some food item for the drive will get to enter a drawing for one of the series of 100 paintings.
I will have a good variety of sizes and prices of art - mostly the pastels, but I may hang a few mono prints and oils as well. So if you happen to be in the Walla Walla area December 4-5, stop by 938 Mountain Park Drive and enjoy some art and conversation over a cup of hot coffee or tea!
Saturday, November 20, 2010
Pastel dust under the lights
So on the last post I was talking a little bit about how lights affect photographing paintings. Because this is so dramatic on this piece I wanted to illustrate that for my readers. The first image where the rocks appear to be golden in color was photographed indoors with both daylight bulbs and a halogen bulb in a lamp that I paint with. The other image where the rocks appear more gray was photographed in a shaded, but naturally lit area (my patio) with a neutral background. I did not manipulate the image except to resize it.
When I an standing there painting in the studio and when I look at the image of this painting, what I see is the one with the gray rocks....which is accurate. So that tells me that the lights I use in my studio work for just that...BUT to photograph them in that light changes the tones greatly.
Now if I were painting that scene from southern Nevada for instance, the color of that rock would be actually the color of the first painting. Down around Lake Mead in the Valley of Fire, you tend to see this golden to reddish color of rock. But that wasn't what I saw when I took the reference photo in SE Montana! Another BUT...if I had shot an image in the late day when the sun was close to going down...I might have gotten that sort of image! Holy Cow!! Light is a huge factor in painting and photography.
So the message is...whatever painting you are photographing, it is best to do that in natural light. Now I know that professional photographers aren't running outside on their patio to shoot their images....but I am talking about those of us who are photographing our work for either shows and/or archival needs and want a good representation of the piece of art. There have been good articles written about photographing art for shows in Artist's Magazine and Pastel Journal and one might still be able to go to their web sites and dig them up. I just wanted to illustrate simply for you how differently a painting can look under different light. And I did these with a digital camera using the automatic setting for close up work. If you read articles about photographing art, you would probably find the recommended procedure is to use a SLR camera, not automatic settings, a light meter, certain f-stops, etc. A good digital camera can give you great results as I have shown.
Another little piece is the 3rd in the series of 50 off the 90...only by about 100 miles or so...It is a 5x7 on Canson black paper looking to the east toward the Blue Mountains near Dayton, WA. Spring in that area brings out about every color of green! It is a beautiful area. Those big hills are farmed on top and down some of the sides...and beyond the fir trees there are lush fields of grain any place a plow can get to!
So, experiment with some photography of work and see the difference! As a note, the last show I attended - and I think I may be touched on this last time - some of the paintings looked quite a bit different when viewed on the monitor when compared to seeing them in real life. And the catalog print images were even different again. It's all the variables! Just something else we need to pay attention to!
Happy painting....
Monday, November 15, 2010
The journey of 50 off the 90 begins with an invitation to paint a bit of Montana
A couple of posts ago I invited anyone who wanted to the paint the photo of the sandstone cliffs in southeastern Montana to send me their images and I would post them. I was happy to get one from Mario who took time away from his Soft Pastel News site to paint the cliffs and to also get an image from another blogger and artist Erica. It is fun to see the difference of interpretation between the 3 of us. I know Mario told me he did a really pretty quick sketch in about 40 minutes. I spent about an hour on mine. Erica didn't say how long she spend working on hers. I am happy to share these...thanks so much Mario and Erica!
So here is an observation if not a lesson in lighting from my perspective and I am referencing my work in this... I painted mine in the studio where I use daylight bulbs in the lights. I then photographed it in the same light. I tried a few different camera settings and in all of them, the rocks have this warm look to them. I do believe that if I take this image outside and shoot it again, the tones would be different. There was no flash with this one, but it almost has that appearance. I don't normally shoot images in the studio light, but rather go outside and shoot them in the actual daylight. However, this is November and it was about 6 p.m. when I finished this - and this time of year, in this part of the world it is quite dark outside at that time of day!
I have done paintings that when you photograph them, the color alters enough that it just is not right. I have taken the same image with 2 different cameras and gotten 2 different looks as well...in studio light and in daylight. When I photography out of doors, I usually do that with a neutral background and in a covered patio area so there is not direct sunlight, but still good light available for the shot. This usually gives me what I need.
Just last week I looked at the entries for the Northwest Paste Society International Show on line. Then on Saturday I got to see the show at the gallery. One thing that I noticed on not just one, but several was how different the images on the monitor looked when compared to what was printed in the catalog and when compared again to the actual image. It just made me think that when one is taking digital images of your work for a show, try your best to get the image you see to be as close as possible to what that painting is! Maybe enlist the help of a professional photographer if you are trying to get an image to send to a show...you really want it to be a true representation of your work.
So this is the beginning of the series 50 off the 90...as far as being off the 90...this was pretty far. It wasn't that the distance was huge, but it was on a dirt road about 50 miles from the interstate. There was no gravel on the road, just a graded dirt road that boasted a road sign that said something like "road is impassable when raining or during the winter months." I know this to be true. This dirt is "gumbo" which when wet, will gather more and more mud until you can go no further. My mother one time said she thought you could use gumbo like clay and do a sculpture with it. She tried and it worked. She fashioned some horses and some people out of the mud. They held up pretty well, never were fired - but she made her point! Her sculptures were often a topic of conversation and the consensus was that gumbo was good for something!
The second in the series is an image of a little creek in eastern Montana that probably only sees water during the spring and early summer and then dries up and sun bakes over the summer months. Even in May there were only some water holes on this creek and they were pretty shallow; not long a source of water for wildlife or beef.
There wasn't a lot of color in this particular place...it was just interesting. This image was another that I will photograph outside again, even though this is a pretty close example of the actual painting. Both of these paintings today were done on Wallis paper that I tones with orange pastel. I used mostly Sennelier and Diane Townsend pastels on these.
So with all this being said....thank you again Mario and Erica for sharing your work. My best to you all and keep painting....
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| Juniper on the rock cliff, MT |
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| Mario V's |
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| Bonnie's |
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| Erica K's |
A couple of posts ago I invited anyone who wanted to the paint the photo of the sandstone cliffs in southeastern Montana to send me their images and I would post them. I was happy to get one from Mario who took time away from his Soft Pastel News site to paint the cliffs and to also get an image from another blogger and artist Erica. It is fun to see the difference of interpretation between the 3 of us. I know Mario told me he did a really pretty quick sketch in about 40 minutes. I spent about an hour on mine. Erica didn't say how long she spend working on hers. I am happy to share these...thanks so much Mario and Erica!
So here is an observation if not a lesson in lighting from my perspective and I am referencing my work in this... I painted mine in the studio where I use daylight bulbs in the lights. I then photographed it in the same light. I tried a few different camera settings and in all of them, the rocks have this warm look to them. I do believe that if I take this image outside and shoot it again, the tones would be different. There was no flash with this one, but it almost has that appearance. I don't normally shoot images in the studio light, but rather go outside and shoot them in the actual daylight. However, this is November and it was about 6 p.m. when I finished this - and this time of year, in this part of the world it is quite dark outside at that time of day!
I have done paintings that when you photograph them, the color alters enough that it just is not right. I have taken the same image with 2 different cameras and gotten 2 different looks as well...in studio light and in daylight. When I photography out of doors, I usually do that with a neutral background and in a covered patio area so there is not direct sunlight, but still good light available for the shot. This usually gives me what I need.
Just last week I looked at the entries for the Northwest Paste Society International Show on line. Then on Saturday I got to see the show at the gallery. One thing that I noticed on not just one, but several was how different the images on the monitor looked when compared to what was printed in the catalog and when compared again to the actual image. It just made me think that when one is taking digital images of your work for a show, try your best to get the image you see to be as close as possible to what that painting is! Maybe enlist the help of a professional photographer if you are trying to get an image to send to a show...you really want it to be a true representation of your work.
So this is the beginning of the series 50 off the 90...as far as being off the 90...this was pretty far. It wasn't that the distance was huge, but it was on a dirt road about 50 miles from the interstate. There was no gravel on the road, just a graded dirt road that boasted a road sign that said something like "road is impassable when raining or during the winter months." I know this to be true. This dirt is "gumbo" which when wet, will gather more and more mud until you can go no further. My mother one time said she thought you could use gumbo like clay and do a sculpture with it. She tried and it worked. She fashioned some horses and some people out of the mud. They held up pretty well, never were fired - but she made her point! Her sculptures were often a topic of conversation and the consensus was that gumbo was good for something!
There wasn't a lot of color in this particular place...it was just interesting. This image was another that I will photograph outside again, even though this is a pretty close example of the actual painting. Both of these paintings today were done on Wallis paper that I tones with orange pastel. I used mostly Sennelier and Diane Townsend pastels on these.
So with all this being said....thank you again Mario and Erica for sharing your work. My best to you all and keep painting....
Sunday, November 7, 2010
Pastel Dust
"Portico" pastel on Wallis
I finished a pastel that I have been working on for some time of the portico.. And when I look at this again, I see some refining points I will still do. Darken the passageway on the right and brighten the sunlit wall a little more.I have definitely decided to do the next series of "50 off the 90". This is a pretty broad scope of opportunity since I didn't declare HOW far off of 90 I might extend my search for the places to paint! I definitely got some great reference photos from my trek out in the hills on Thursday and they will be appreciated on the upcoming cold gray days that comes with January and February! I painted outside yesterday in the balmy weather, but today that's not an option with it being drizzling and chilly.
My series will all be a similar, if not the same size...probably the 8x10 or 9x12 size. This is to be again a learning and experimenting project and I may do the same composition in a couple of different ways to keep things interesting and that of a learning experience. At times, I will ask my readers to take an image and paint it and then will post those...The lesson in that is to see different interpretations of the same subject. That's something we can all learn from....so don't be shy, send me some images of the the cliff and junipers that I posted a few days ago. Email them to me or post them on comments if you can (I don't know if that is possible)...email is bzgriff@charter.net. I will get that one done soon and post it.
Planning on my Open Studio event...this year it will be focused on just paintings and prints. We will rearrange the furnishings on the main floor of our home to be gallery like and hang lots of paintings on the walls. Hours will be 10-4 Saturday and 10-3 Sunday Nov 19th and 20th. It is a fun time that we invite people to come in and see the new work and have a cup of coffee and a treat. It is the best of time!
So, if you are in the neighborhood of Walla Walla, WA...follow the "A" boards to 938 Mountain Park Drive and stop in, sit and have a cup of Joe and look at the paintings and most of all visit!
Back to the 50 of the 90...my goal is to complete this at least by mid year. I am plotting on a car trip to New Mexico and painting there for an extended time. If that all comes to be...it would be a WHOLE 'nuther project to work through. So with that said...I am heading to the studio to paint...Happy painting!
Thursday, November 4, 2010
pastel dust
Bambi and I went out this afternoon with the good intention of doing some plein air work, however, the colors were so incredible we agreed that it might be in our best interest to make it a "photo: day and shoot images. And that is what we did. We trekked down along some creeks and drove up remote roads in the Blues. We stayed out late enough to record some of the fabulous light that happens around 4 o'clock this time of year. We will appreciate this day come mid January and fog!
I am contemplating a new series...it will be different from the small works series where I used one composition and recreated it differently 100 times. I have decided this will be small works, but in the 8x10 or 9x12 size...what I haven't decided on is the number and if the pieces will have a relationship to each other. I am leaning toward something like "Back roads" or "Roads and Streams" or maybe "Montana On My Mind" or "The Path of Lewis and Clark". Maybe it will be "50 off the 90"...50 images of areas of interest off of Interstate 90...since I-90 begins or ends in Seattle and goes across the panhandle of ID and through MT and continuing on east to Boston. Outside of Billings you get the option of getting on I-94 which takes a northerly route through North Dakota and continuing eastward, joining I-90 at Lacrosse, WI and then veering off again toward Madison, WI, crossing 90 in the Chicago land area and ending in the Detroit area.
So with that little bit of highway geography, about any area that I wander around is near I-90 and it is diversely different between Seattle and Billings, MT.
A small bit of trivia....up until a few years ago there was one stoplight on I-90...at Wallace, ID...that went away when a new section of interstate was built that circumvented the downtown area of Wallace.
So with that rambling...I think this next body of work will be spots of interest between Seattle and Miles City, MT. They might be near I-90 (or 94 as one closes in on MC) or a hundred miles off of it. I promise them to be interesting spots, remote, probably.
Shows to look forward to include The Northwest Pastel Society International Open Show that opens the 13th at American Art Company in Tacoma, WA. This should prove to be a good show with quality work. I am anxious to see the show hanging in this beautiful gallery space. The next NPS event is the members show which will be at the Kirsten Gallery in the university district of Seattle in a wonderful multilevel gallery. that show opens in April, 2011.
I am considering going to the International Association of Pastel Societies annual convention/workshops in Albuquerque next June. That would be a prime time to take some time and spend painting in NM which is something of a desire of mine. The thought of being able to combine a trip to paint and a trip to a pastel convention which should be like a huge candy store for pastelists seems almost too good to be true. For me this could be a whole new series. The potential for a landscape artist traveling the route I would take would take me through some splendid sites like Zion, Bryce, etc. and on into CO and northern NM.
Finally, I would like to post an image and invite anyone who wants to paint it and then submit it to me to post. I think a few of these with people's different style and palette would be fun to see. You can send them to my email bzgriff@charter.net and I can post them or you can try to post them with your comments to the blog! Here is the first image:
Tuesday, October 12, 2010
the dust never settles - Montana October, 2010
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| a Montana Sunset...with a story... |
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| 50 some miles to Miles City; 40 some to Ashland; 45 to Forsyth |
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| Strawberry Hills Rec Area in the Pine Hills of SE Montana near Miles City |
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| near the Tongue river south and west of Miles City |
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| the Tongue River Any time I can get a chance to go to Montana, I do. It means I get to see family and once again experience the "Big Sky Country for a few days! I had sent a couple of paintings to the annual art auction for the Custer County Art and Heritage Center show/auction the end of September and wanted to go to the auction event the latter part of September. It worked out and Les and I were able to go. The art center in Miles City is just one of the best around. They have an incredible gallery space that was developed in part of the old water holding tanks along the Yellowstone River. These thick concrete walls provide a wonderfully climate controlled, unique space for this venue that holds a great permanent collection of work as well as shows that are changed out regularly. The team of employees and volunteers always seem to tip the scales with quality in their events as well. It was a pleasure to attend and to donate one painting to the cause and share the commission on another. The "River in December" topped the bidding for the auction which was a happy note for me! I had lots of good comments on the pieces that I submitted and that brings a good feeling to one's heart as well! This event is another one that gets attention from several well known western artists and it is a pleasure to be part of that. Earlier in September John from the Discovery Pond and Loft Gallery downtown Miles City had contacted Chris and asked him if his mother would want to hang a show there. Chris asked me if I was interested and I said I was, but didn't know that I had enough work in Miles City to be considered a "show." He assured me that he, himself had plenty. Apparently my kid has been hording some work, because he was able to accommodate the gallery space well!! John set up a very nice reception and artist opening while I was there and we got to visit with quite a few folks. He also submitted an article to the local paper about my work from excerpts from the blog and website. I was very appreciative of his warm hospitality and attention to details in how he hung the art show and the reception. What a pleasure to work with people like John! One of the highlights of the reception was a visit from native American artist Joyce Lahn a longtime SE Montana native. She was interested in talking about pastels because she hadn't done much with them. The comment that she made about my work was great affirmation to me...she said "you do the best skies and they are MONTANA skies. I knew you were from here when I saw how you painted skies." She told me as a child, she moved to SE Washington with her mother and lived near the Columbia River in the town on Wallula. Her step father had worked a river project at the time. She told me about one scene that she said she has never painted but had thought she might was a scene one night as she walked home with a full moon and when she crossed the numerous railroad tracks of this town the moon's glow shimmered blue over the tracks and they were almost iridescent in the light of the moon on the dark night. Painted quite the picture in my mind, so much that the next full moon and I going to head out to some tracks and see if I see that effect! She was a delight to talk with. She paints a lot of landscapes and Native Americans with very nice effects. Another day while we were visiting and our kids were at work, Les and I took a drive heading south of Miles City toward Broadus, then turned on the Tongue River Road and headed south and west. We followed the river for some 30 -40 miles through pastures, along the river and buttes, cedar, pine and juniper growth before we came to a fork in the road - dirt roads this far out. A sign said it was 53 miles back to Miles City, 45 to Forsyth to the north and 30 something to Ashland to the south. We had long been off the paved road and a sign indicated that if there was snow or rain these roads were impassable. I understand this growing up in "gumbo" country of north central Montana. But a day with blue sky and 80 degree temperature, it is beautiful carefree drive through some very interesting country with the buttes and sandstone cliffs, sort of rugged country with a beauty of it's own. The photo above of the road is near the fork in the road and gives you a sense of the tranquil trail through the hill sides; but in a rainstorm would be impassable as the gumbo would collect on the tires and the road would become so soft and muddy you couldn't move. So the sunset photo was one that Les took at Chris's house to the east. When I saw it, I said, "wow! that is my sky in one of the paintings that I had sent to the auction!" And when you look at the painting and then the photo, you can see the similarity of that red/pink Montana evening sky that lets you know there will most likely be wind in the morning!  We also hung some work in a new establishment - The Main Street Grind - a new bakery and sandwich shop on Main just across from Stockman Bank where Chris and Michelle work. Some great sandwiches and baked goods there and regarding the art... the golden ochre walls show off some of the wheat field paintings well! Another highlight was my sister and husband driving down for the weekend and spending time with us. We had a good time visiting and checking out a few establishments of Miles City. When we left, we decided to drive the two-lane roads back to Missoula since the weather was good and for a change of scenery. We headed north from Miles City toward Jordan where, for 80 some miles there is nothing but range land and the remnants of some old towns that have ceased to exist. When you are on this road, and the day is clear, I think you can easily see a radius of about 150 miles...you are on the plains and this is the "big sky country"! Now that I have returned, it's time to get back to some serious painting...and you??? happy painting! |
Wednesday, September 1, 2010
pastel dust
I went again to Kontos's pond and painted with my friend Bambi. In a matter of weeks there area changes in the fields and vegetation. The wheat field to the north has been harvested and the straw baled and there is more dry weeds and grasses around the pond. While we were there a big blue heron glided in and landed on the little island in the pond, but stayed hidden from us. We took a break in the midst of the paint out and walked the banks and pastures and shot bunches of images for reference. When we finished painting we stopped back at her studio and I looked at some of her pieces she has been working on. She is talented and is growing so much as a pastelist.
We always grumble a little about how much stuff we drag with us to go out and paint. I have a French easel and it works good for short hikes to set up. But I still have a box of pastels and another bag with paper and stuff that I drag along. I need to load my tray in my easel with pastels and eliminate one bag! Bambi however, has been on a quest for a better system and she found a great easel from Cheap Joe's. It is smaller than my French, but has good storage. It seems more compact, but has great features and seems a little easier to put together than the French. I believe it is Cheap Joe's own design and it is quite the ticket!
Our SE WA fair opened today and as part of fine art department staff, we demo during the hours the fair is open. Carly and I were there today for some hours and managed to complete the vertical pond pastel above and start another. There was a moderate amount of traffic and it's a great way to talk to people about pastels and for them to watch us work. My "Evening Storm Skies" nabbed the Best of Show and first in the professional division. "Velvet Underfoot" was 3rd. It's a nice reward to earn such a prize. There are some beautiful pieces of work there.
The kid's art is in the same area and last night when we were labelling them, it was great to see what uninhibited art comes from children. There are some really good stuff. My two grand daughters both had little watercolors entered; sweet little pieces they are so proud of! And our friend's son Wiley who takes oil painting lessons regularly entered an outstanding impressionistic piece. It earned a Blue in the open division and justifiably so!
So three days of demos and Friday brings "First Friday Art Walk". I will show new works at Williams Real Estate office for the month of September and I am looking forward to having a lot of the pieces framed plein air style in mahogany and gold frames, hanging on their walls!
With that, I wish everyone a safe and happy Labor Day weekend and keep painting!!
Monday, August 23, 2010
Pastel Dust on the Vines
One can see I had a great little set up for my space to paint and the pre dinner wines and appetizers adorned the table under the trees twinkling with candles nestled in little cut glass tea cups. M'Lisse has just bumped one of the tea cups and waxed the back of her hair when the little tea light spilled in the collision!
Lori prepares the dining table for the meal while the guest stroll through the vineyards with LeaAnn. These two put together an incredible feast with great appetizers, soup, salad and salmon. I managed a taste of this, a plate of that and it was all top notch cuisine.
While the guest sampled wine and dined, I finished the painting. We framed it and presented it to the guests to their approval during their meal.
Roy, who is an accomplished watercolorist showed another side of his talents and provided great music for the evening with his guitar and harmonica. It was quite a pleasure to be painting on the other side of the grape vines and listen to live music!
The message in this blog? I encourage anyone who paints to get out and do some plein air painting or just get out in the yard and paint from a photo! If you have an opportunity to paint something for something like this - do it! It is fun; there isn't a time limit and if you mess up one, just be sure you have an extra sheet of paper to start again!
Happy painting...
Thursday, August 19, 2010
more dust
I just got back from the quarterly Northwest Pastel Society meeting in Gig Harbor, WA. That's across the Narrows from Tacoma in the south Puget Sound. It is a beautiful setting and typically would be a great place to some plein air painting down by the harbor, however it was mid 90's and that's a little warm to be outside painting for long!
I just am finishing the night scene of Joseph, OR above. It is sort of fun to play with "night" colors and the lack of! It was wet and lots of stormy clouds and most everything was peaceful; much different from the bustling of the daytime Main Street activities.
The vineyard is an older painting that I did some copies of and will be given to some of the guests tomorrow night at the vineyard dining and plein air experience that Lori, M'Lisse, LeaAnn and I put together for a Hospice auction item this year. I met LeaAnn one evening at her vineyard to check out where I would be painting and maybe what I might paint. She took me around through the vines and showed me the difference between Cabernet and syrah grapes and others and she was trying to be helpful in where I might set up to paint. She starts talking about me standing and working on top of a table or in a "lift" on her tractor. Man, WHOA! I don't do heights! I am good being 5'5" from the ground up. She thought that was pretty funny. But she doesn't really know me all that well. I am not extremely coordinated. I knock things over. I could envision falling off the table; spilling pastels all over the ground, crashing the easel to the dirt and more. Much better I stay grounded. Then I said I loved her grape fields! GRAPE FIELDS???? IT"S A VINEYARD!! just a technicality...I am looking forward to spending part of the evening with the diners and the rest of the crew. It will be fun and I will come up with something appropriate to paint, I am certain! without the tractor or standing on a picnic table.
Back the NPS meeting...the entries are all in for the Int'l Show and entry has now closed for that event. The entries are all done digitally and on line. This is one of the greatest things, in my book, because it simplifies the entry process so much. You don't have to take, develop and send in slides or even make a CD, it's all electronic on the computer.
Some folks were talking about preparing their images for transmittal. That's the crucial element! Every art show prospectus that comes out describes in detail what dimensions, etc is required for the entry. Some shows, if the entry isn't done correctly, merely discard the entry and the artist doesn't know any difference other than they were denied for entry by the juror. So a couple of things to make note of:
Be sure the image you are sending has nothing but the image of the painting in it...no tape showing on the edges of the painting, no frame, no mat, no light sneaking around the side of the painting, etc. The prospectus will tell you the image size should be...such as:
Images should be hi resolution (300dpi), 1200x1800 pixels -approximately 4”x 6”.
Save each of your jpg images using this convention:
“yourlastname.titleofpainting.jpg”
Use no spaces or symbols in name.
So to change your image that you have stored in our computer, you need to have access to PhotoShop or some image software. Once you go to the "resize image" you can accomplish most of this pretty easily. You want to maintain the appropriate shape of your painting, so if it happens to be a long narrow piece, you want the juror to see it as it is and not just a portion of that. So be sure the box is checked to keep proportions consistent. Then you change the longest side of your image to the longest allowed in the prospectus (in the case above - 1800 pi) Then the shorter side will proportionately change automatically. Always be sure to check and make certain the resolution is set at the required (300 dpi on this one). A note...be sure you are using a high resolution when you take your image as well. Your camera has a setting for this. If you shoot an image at 72 dpi and then try to make it be 3000 dpi when you change it, you will not be very happy because your image will not be clear and crisp...And then label the image as requested; "save as" in your documents and then upload this newly sized image in the entry. Photoshop isn't the only software that allows you to make changes of an image. I have a Canon ARCsoft program that allows and is very simplistic and easy. It is a program that is part of my scanning system and works very well. So that's some tips for preparing an entry for a juried show with digital entries. Also what I do is print out the prospectus so I have that in hand to refer to, to make certain the entry is done correctly.
Wishing all you painters great success and keep painting...
As a note: The show is hanging at Discovery Pond in Miles City and the Custer County Heritage Auction Show is ready for public view this weekend for the month before the actual auction.
Monday, August 16, 2010
pastel dust
I have been doing the "other stuff" related to painting for the past couple of weeks...getting pieces into frames, taking work to galleries, picking up other work, etc. It's all the busy work that takes big chunks of time. I did go out and do some photography in a vineyard where I am going to be painting plein air during an evening dinner in this vineyard as part of an auction sale to benefit our local Hospice. Three friends - M'Lisse and Lorie are cooking and presenting some wonderful fare to the high bidders of this auction lot; LeaAnn owns the vineyard and is providing al fresco dining in the shade of beautiful old trees at the edge of the vineyard and I am painting a 9x12" piece while the party eats. The painting is part of the package as well and will be given to the diners. All in the spirit of giving back to a superb organization that provides so much for so many people.
So, I have included a couple of images of works that are part of my collection - not my work - but from family. The watercolor is a field painting done by my great uncle who, along with my Mom was probably my most inspirational person to keep me painting. This piece was probably painted in the 40's - maybe late 30's. He lived in Chicago and was an artist working the the ad business. He traveled a lot, painting and spent years roaming Europe before WWII painting. Every Christmas, his signature was to paint Christmas cards for the family. I have 7 of them that my mom saved and framed and gave me. The cards are all of somewhere that was meaningful to his family - the front stoop of the house in Chicago, the home he lived in out in northern IL, the street he lived on in Paris, etc.
The other image is a wood carving done in a wooden bowl by a young man from Chicago who my Grandmother was a nurse for. My grandmother was a nurse by training and a pioneer. She journeyed to Montana in the teens of the century and homesteaded with her brother and his best friend. She married the friend and after he died untimely, she returned to Chicago with my mom (age 13) in tow and re-upped her necessary continuing education and started nursing again. Private duty nursing was a good paying line of work and she like that. The boy that did the carving was recovering from some malaise and he and my grandmother became friends. Once he recovered he finished the wood carving and gave it to her.
Just another couple of interesting art items with a bunch of sentimental value!
I did spend 5 days in the Puget Sound doing a variety of art things. The state fair entries were due and this year their focus in the fine art department was Pastels, so I decided to take a piece there for that show. Other duties were meeting with a gallery in Seattle to host our Northwest Pastel Society show in 2011. Kirsten Gallery in the University district. Lovely gallery and look forward to working with them. And then a day with the NPS for a board meeting and general membership meeting. Finally a trip up to Bellingham to retrieve some pieces that had been shown and back to the east side of the state last night. The Puget Sound is beautiful; but I certainly appreciate the less traffic and busy that I live in daily in Walla Walla!
So...for now...keep painting...I am going to do that this week!
Thursday, July 29, 2010
Pastel Skies
Wind Tomorrow
AfterglowI wanted to do something with a good rural feeling to it for the Custer County Art and Heritage Center auction in MT that takes place the latter part of September. It's a fund raiser for the center so I am hoping these will bring them a good chunk of change for their cause. They have one of the nicest art centers around and they do tons of great things for education of youth, etc.
Something to note...some of the heavy pastel papers like Wallis and Art Spectrum and Pastelbord to name a few let you rework paintings. If you hate them and you haven't totally destroyed your surface with fixatives, you can often brush, wipe and wash off the surface and repaint it. It's a good solution to last weeks "hissy fit" of being so disgusted with the piece you pitch it in the garbage can. Some times it's probably best to do that and just take your loss, but other times it can be salvaged and reworked into something good. I have used the old pastel for an underpainting of a new one, first by getting rid of excess pigment and then wetting the surface with alcohol and using that as a colored base. Of course colors needs to be something compatible with what your new painting is...and that makes it work!
I am getting ready to start working on some pieces for a show in Sandpoint, ID in November. It is an invitational show and will be at the Sandpoint Center where I showed for ArtWalk. The criteria is that the work is to be landscapes of the northern ID. I have some great reference photos to start working with of that area. It is truly beautiful in that part of the world. There is lots of water and mountains. Color isn't hard to find and it's really an artist's paradise. I am also working on pieces for September Walla Walla ArtWalk and I will be showing work at Williams Team Homes office. they have a wonderful office and good space for art. Chris has been working on another show space in MT that may come together in October as well. So I do believe that I need to keep painting!!
Wednesday, July 28, 2010
I posted "The Creek" on my Facebook "Like" page and my friend Idalee who is the best ballet instructor around says "where is that? I need to take my dancers there for a photo shoot." Oh, oh...this one is basically in my brain - which is what I told her and said, I just didn't think her dancers would all fit in there! I had gotten to inspiration (as I told her) from sitting in front of my daughter's doctor's office waiting for her to finish an appointment. It's a newer southwest style architectural designed building with a nicely landscaped front including a pond, waterfall, rocks and vegetation. But I think there are places like this on the Walla Walla River and it's tributaries or Blue Creek or Mill Creek and probably would have plenty of room for all the dancers!!
I like to leave a painting hanging on the board for a few days after I deem it finished. Then keep giving it the eye every time I walk by it and make sure there is nothing I am dissatisfied with. It's much easier to change something before it is matted and framed, than after the fact!. If there is some that I can't put my finger on as to which about the work is not setting right, I will take it and hold it in front of a mirror and look at the image in the mirror. If there is a major problem, you will typically see it!
So with that bit of info, I leave you to go do some sketching and maybe a painting! Happy painting...
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